In time: it is not treated to total and absolute indifference, but to, and for times an on this side prejudiced attention, to the qualities particular of this efficient prosador. The exercise of the dialogue in Person if makes, among others experiences in chats ficcional, in the text teatral the sailor, writing between days 11 and 12 of October of 1913 and published in the edition number 01 of the Orpheu Magazine, in 1915; that, for the scarcity of studies, assumes the function of corpus of this critical analysis ensasta. The Sailor presents itself as inexact sailing of Fernando Person in waters mist of the Portuguese dramaturgia of the beginning of century XX. of inexact, is read: capricious, voluble, changeable; in opposition to inube, clearly, night watchman; not being, in absolute, synonymous here me the literary quality. One is about teatral text that the principle, and in shortened way, is seen as a simbolista exercise in chats poetical little or almost nothing appropriate to the more conventional teatral stage. It is happened again: in shortened way; a time that the apparent impregnated simbolistas aspects in the text had collaborated for the anticipation and consolidation of innovative elements to the modern theater of century XX.O produced theater, then, in the Europe of ends of century XIX, are a simbolista, explicit decadentista theater, conducted for the Belgian poet, dramaturgo and ensasta of French language Maurice Maeterlinck, read for the Portuguese writer, as register of the virtual library of the house of Fernando Person. Reading that, without a doubt, influences making teatral of the Marinheiro.Em the text of Person, three women confabulam on its existences dived in interminable reminiscncias. The body girder of a bridge of a dressed maiden of white is seen died and deposited to a coffin that occupies the center of the room that serves of scene, only enough e.