In time: it is not treated to total and absolute indifference, but to, and for times an on this side prejudiced attention, to the qualities particular of this efficient prosador. The exercise of the dialogue in Person if makes, among others experiences in chats ficcional, in the text teatral the sailor, writing between days 11 and 12 of October of 1913 and published in the edition number 01 of the Orpheu Magazine, in 1915; that, for the scarcity of studies, assumes the function of corpus of this critical analysis ensasta. The Sailor presents itself as inexact sailing of Fernando Person in waters mist of the Portuguese dramaturgia of the beginning of century XX. of inexact, is read: capricious, voluble, changeable; in opposition to inube, clearly, night watchman; not being, in absolute, synonymous here me the literary quality. One is about teatral text that the principle, and in shortened way, is seen as a simbolista exercise in chats poetical little or almost nothing appropriate to the more conventional teatral stage. It is happened again: in shortened way; a time that the apparent impregnated simbolistas aspects in the text had collaborated for the anticipation and consolidation of innovative elements to the modern theater of century XX.O produced theater, then, in the Europe of ends of century XIX, are a simbolista, explicit decadentista theater, conducted for the Belgian poet, dramaturgo and ensasta of French language Maurice Maeterlinck, read for the Portuguese writer, as register of the virtual library of the house of Fernando Person. Reading that, without a doubt, influences making teatral of the Marinheiro.Em the text of Person, three women confabulam on its existences dived in interminable reminiscncias. The body girder of a bridge of a dressed maiden of white is seen died and deposited to a coffin that occupies the center of the room that serves of scene, only enough e.

In its workmanships, it had to support critical and satire on the part of who analyzed protected for the racial and literary preconception. ' ' Nobody felt yours espasmo obscure, to be humble enters the humble beings. Tipsy, idiot of the pleasures. The world for you was black and hard. You crossed in a dark silence. The imprisoned life the tragic duties.

Nobody to you saw uneasy, Hurt, occult and terrifying, private the feeling, That the heart you apunhalou the world. (CROSS and SOUSA, Sonetos, Obscure Life, 1983) the rejection in the literary ways and the press feeds its hurt, that feeds its verse. The hurt if distills, turns raw material the poetry. The concrete experience is articulated with the rhetoric, that is, the daily ingrate becomes itself into the decadentista tpica of the cursed poet. my hatred, my majestical hatred, My hatred pure saint and benfazejo, Unge me it fronte with your great kiss, Becomes humble and becomes me proud. Humble, with humble generous, the Proud one with the beings without Desire, Without Goodness, without Faith and fecundador and affectionate sun flashing. my hatred, bendito mine lbaro, Of minh' soul agitated in the infinite, Through other sacred lbaros. Hatred is, good hatred! you are my shield Against the villains of the Love, who defame everything, Of the seven towers of the mortal Sins (CROSS and SOUSA, sonetos, Sacred hatred, 1983) In this soneto, Cruz and Sousa, suffering the rejections from jobs and of its literary compositions by means of the society, it writes this soneto saying that its hatred was sacred, therefore it had an obvious reason for this and that hatred was sacred.

Next to the Death it is that the Life blossoms! We walk laughing next to the sepulture. The opened mouth, escancarada, dark Of the hollow are as apodrecida flower. The Death remembers to the stranger Daisy Of our body, Fausto without happiness It walks in lathe to all the creature In an indefinite dance macabra.

"Again you about his Christine, dalas you this blonde!" – Muttered irritably my ugly twin. "Firstly, it is not Christina and Tatiana, and secondly, the point is that Calm down, she, like denounced intelligence, everything is in order: does life come from the poor to the bank on a jeep Rexton, but do not go as they used to walk from the subway? Finally found a worthy replacement for me! "" Then – bye! Not that you will bring these beauties you know, until then, especially the boy you're no longer young! "Fu! What am I doing? Ah yes, the materialization of thought. So, when people focus on some specific purpose, mainly intellectual property, he intentionally or involuntarily interferes or, rather, is connected to a common information field and catch the coming trend of events, so it sometimes appears, but mostly false sense of their visionary mission I've got a way to record interesting cases and details. For those who can not remember the school curriculum: Trigorin – a writer, one of the characters in comedies by Anton "The Seagull." I looked here nadys in his study at gitis records and accidentally fished out of them something interesting from my point of view, of course. Entries practically not been edited. 1. At the main architect of one of the major Moscow Research Institute associated with the Building underground – a woman was a young beautiful daughter – a very talented artist. The main subjects of her paintings: the circus and theater.

Novel 'Gone with the Wind' was read by many. But the author of this novel – Margaret Mitchell – we know little. His novel, Margaret has devoted her second husband, John Marsh, who pushed her to writing, giving his wife a typewriter "Remington". During 10 years (that is how much writing a novel) every evening, returning from work, John sat down to read the pages written by Margaret for the day. John was a brilliant editor and a sensitive counselor – he not only helped his wife to hone writing skills, but also searching for appropriate literature, and meticulously studied every detail of daily life, costume, described the era. Interesting fact: The novel was not written in strict sequence, episodes written by chance, then they gathered together.

Episodes author perpisyvala many times, we know that a chapter of the novel had 60 options. History of the Civil War, North and South is becoming the core of the existence of John and Margaret, their single offspring. No children or other works of Margaret Mitchell will not. Peggy (her school nickname) Mitchell was born in Atlanta in 1900, grew up in an atmosphere of stories about the Civil War: two of her grandfather fought on the side of the southerners. Her mother Mae Bell Mitchell demanded of his daughter to read books that only the highest level. For this mom originally encouraged the child: for Shakespeare's play Peggy received five cents, ten were evaluated attempts to overpower Dickens, 15 – Nietzsche, Kant and Darwin.